Sally Goodin

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Date: 15 Dec 1993 14:55:12 -0600
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Hi

Texas-style/Western Swing accompaniment for it. This is from the
1990 issue of Acoustic Guitar magazine.

I have TABbed the melody as if it were played in G. The accompaniment
is in A, though, so you'll have to capo at the second fret to make the
melody work with the accompaniment. It's in 2/4. So each "|" above the
staff represents an eighth note.


arr. Jim Wood, TAB by Bo Parker *

Melody: 
(Don't worry about the chord symbols - fingerings are given below.
D#o7 means D# diminished 7th.)

  A       A9/C#     D       D#o7      A       A#o7      Bm7     E7
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |   
|-----------------|-----------------|-----------------|-----------------|
|---0---0---------|---0-------------|---0---0---------|-----------------|
|-0---2---0---0-0-|-0---2-0---0-0-0-|-0---2---0-2-0---|-----------0-0-0-|
|-----------------|---------2-------|---------------2-|-0---0-0-2-------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|
  A       A9/C#     D       D#o7      E7      F#m       E7/G#   A
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |   
|-----------------|-----------------|-----------------|-----------------|
|---0---0---------|---0-------------|---0---0---------|-----------------|
|-0---2---0---0-0-|-0---2-0---0-0-0-|-0---2---0-2-0---|-----------0-0-0-|
|-----------------|---------2-------|---------------2-|-0---0-0-2-------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|

  A       A7/G      D/F#    Dm/F      A/E     D#o7      E7/D    E7/B
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |   
|-----------------|---3-0-----------|---3-0-----------|-----------------|
|-----0-1-3---3-3-|-3-----3-0-3-3-3-|-3-----3-0-------|-----------------|
|-0-2-------------|-----------------|-----------2-0---|-----------0-0-0-|
|-----------------|-----------------|---------------2-|-0---0-0-2-------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|

  A       A9/C#     D       D#o7      E7      E7/B      E7/G#       A
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |   
|-----------------|---3-0-----------|---3-0-----------|-----------------|
|-----0-1-3---3-3-|-3-----3-0-3-3-3-|-3-----3-0-------|-----------------|
|-0-2-------------|-----------------|-----------2-0---|-----------0-0-0-|
|-----------------|-----------------|---------------2-|-0---0-0-2-------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|


OK - now the accompaniment. Note the nice walking bass lines. The
whole thing is done bass-strum, bass-strum, etc.

  A       A9/C#     D       D#o7      A       A#o7      Bm7     E7
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |   
|-----------------|-----2-------2---|-----------------|-----2-------0---|
|-----2-------5---|-----3-------1---|-----2-------2---|-----3-------0---|
|-----2-------4---|-----2-------2---|-----2-------0---|-----2-------1---|
|-----2-------5---|-0-------1-------|-----2-------2---|----(0)------0---|
|-0-------4-------|-----------------|-0-------1-------|-2-----------2---|
|-----------------|-----------------|-----------------|---------0-------|

  A       A9/C#     D       D#o7      E7      F#m       E7/G#   A 
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |   
|-----------------|-----2-------2---|-----3-------5---|-----7-------5---|
|-----2-------5---|-----3-------1---|-----3-------5---|-----5-------5---|
|-----2-------4---|-----2-------2---|-----4-------6---|-----7-------6---|
|-----2-------5---|-0-------1-------|-2-------4-------|-6-------7-------|
|-0-------4-------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|

  A       A7/G      D/F#    Dm/F      A/E     D#o7      E7/D    E7/B
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |   
|-----5-------5---|-----------------|-----------------|-------------0---|
|-----5-------5---|-----7-------6---|-----5-------7---|-----5-------0---|
|-----6-------6---|-----7-------7---|-----6-------5---|-----4-------1---|
|-7-------5-------|-----7-------7---|-----7-------7---|-----6-------0---|
|-----------------|-9-------8-------|-7-------6-------|-5-------2-------|
|-----------------|-----------------|-----------------|-----------------|

  A       A9/C#     D       D#o7      E7      E7/B      E7/G#   A
  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |   
|-----------------|-----2-------2---|-----------------|-----------------|
|-----2-------5---|-----3-------1---|-----5-------5---|-----3-------2---|
|-----2-------4---|-----2-------2---|-----7-------7---|-----4-------2---|
|-----2-------5---|-0-------1-------|-----6-------6---|-----2-------2---|
|-0-------4-------|-----------------|-7---------------|---------0-------|
|-----------------|-----------------|---------7-------|-4---------------|


Enjoy!

See ya

-Bo Parker
*

I do not speak for my employer, whoever that is.

``Squid eating dough in a polyethylene bag is fast & bulbous.''
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